The cover on the latest Vanity Fair, which includes a story by Buzz Bissinger with sordid details about Tiger Woods' extramarital affairs, plays so baldly to racist stereotypes about black, male athletes that the infamous 2008 Vogue cover pales in comparison. A shirtless, sweaty Woods (in skull cap, staring blankly at the camera) is typical of images of African-American athletes, playing to the stereotype of dark-skinned men as hypersexual, deviant and -- to use the magazine's coverline about Woods -- "raw."
Woods -- for all his flaws -- seemed to understand the (negative) power of these kinds of images, as evidenced in his advice to Charles Barkley years ago to avoid a controversial shirtless cover in Sports Illustrated.
It's surprising, then, that Woods posed for these pictures -- but the fact that they were for famous photographer-of-the-stars Annie Leibovitz a number of years ago likely had something to do with the decision. It's regrettable that VF decided to strategically dredge up these photos now, in a context that makes them even more stereotypically potent.
-- Marie Hardin
Showing posts with label race. Show all posts
Showing posts with label race. Show all posts
Monday, January 11, 2010
Sunday, December 06, 2009
What The Blind Side is blind to
The film The Blind Side is the most recent sports-themed movie to hit the box office. The film tells the “true” story of Michael Oher, an overweight, black teenager with a tragic background who is taken in by a white, middle-class family, the Touhys, and makes it out of the projects and into the NFL.
The Blind Side’s reviews were mostly favorable. Rotten Tomatoes, a reputable movie review compilation site, included reviews that called the film , “incessantly positive because it's about good deeds and its ripple effects” and “potentially culturally offensive and overly schmaltzy, The Blind Side instead threads an almost impossible needle, pulling off a surprisingly moving and inspirational story of compassion, self-discovery and hope.”
Oher’s story as depicted by the film certainly is a touching one. However, aspects of the film are problematic, as critics have pointed out. Christopher Chambers, a guest columnist for the ColorLines blog, called the film “an obvious appeal to white guilt” and asserts that the Blind Side is simply the latest “feel good” film in which “white characters become immersed in and changed by loving blackfolk.”
Melissa Anderson, columnist for the Dallas Observer, makes a similar argument writing that the movie, “peddles the most insidious kind of racism, one in which whiteys are virtuous saviors, coming to the rescue of blacks who become superfluous in narratives that are supposed to be about them.”
These critiques can be taken even a step further. Movies like The Blind Side make an argument, although subtly, that existing institutions meant to help people in Oher’s situation are failures. They promote the idea that private acts of “good” are the only successful means to pull people by their bootstraps and out of poverty. The Blind Side includes scenes of the neighborhood where Oher comes from, a ghetto filled with drug dealers and the threat of violence, a mother who is a crackhead. Oher also has flashbacks of being taken from his mother by (assumedly) social services. A move that, at least according to the film, brought him nothing more than continued misfortune.
So who does save Oher? Well, a rich, white family with charitable hearts, a private (mostly-white) Christian school that gives Oher a chance, a university that gives him a scholarship, and finally the National Football League. Now that’s something whites, especially those who denounce public welfare and social services, can feel good about.
--Erin Ash
The Blind Side’s reviews were mostly favorable. Rotten Tomatoes, a reputable movie review compilation site, included reviews that called the film , “incessantly positive because it's about good deeds and its ripple effects” and “potentially culturally offensive and overly schmaltzy, The Blind Side instead threads an almost impossible needle, pulling off a surprisingly moving and inspirational story of compassion, self-discovery and hope.”
Oher’s story as depicted by the film certainly is a touching one. However, aspects of the film are problematic, as critics have pointed out. Christopher Chambers, a guest columnist for the ColorLines blog, called the film “an obvious appeal to white guilt” and asserts that the Blind Side is simply the latest “feel good” film in which “white characters become immersed in and changed by loving blackfolk.”
Melissa Anderson, columnist for the Dallas Observer, makes a similar argument writing that the movie, “peddles the most insidious kind of racism, one in which whiteys are virtuous saviors, coming to the rescue of blacks who become superfluous in narratives that are supposed to be about them.”
These critiques can be taken even a step further. Movies like The Blind Side make an argument, although subtly, that existing institutions meant to help people in Oher’s situation are failures. They promote the idea that private acts of “good” are the only successful means to pull people by their bootstraps and out of poverty. The Blind Side includes scenes of the neighborhood where Oher comes from, a ghetto filled with drug dealers and the threat of violence, a mother who is a crackhead. Oher also has flashbacks of being taken from his mother by (assumedly) social services. A move that, at least according to the film, brought him nothing more than continued misfortune.
So who does save Oher? Well, a rich, white family with charitable hearts, a private (mostly-white) Christian school that gives Oher a chance, a university that gives him a scholarship, and finally the National Football League. Now that’s something whites, especially those who denounce public welfare and social services, can feel good about.
--Erin Ash
Wednesday, April 23, 2008
Character, dignity, and racial stereotypes
I couldn't help but be struck by the tired racial stereotypes that seem to be reinforced in images that accompany the print edition of SI's latest feature, "Nebraska Lost, Nebraska Found.". The subhead promises a story about ways the Huskers plan to restore "character and dignity" to the program -- with "homegrown" players. Apparently, although the roster includes many African-American players, it's the white ones, whose images dominate the article, that will restore the "character" to this team.
Tuesday, January 22, 2008
No diversity? No surprise.
A survey of major sports news sites on the Web posted on The Big Lead bemoans the lack of racial minorities with bylines on sites such as Yahoo and Fox Sports. The numbers are dismal, to be sure, but they need more context, as some of the comments point out. They also point to a larger problem that goes well beyond sports departments in any newsroom (lack of racial diversity in general, especially in the print ranks). The blog entry also focuses on racial disparities when those involving gender are much greater.
Wednesday, October 24, 2007
Jason Whitlock and new racism
Although the days of forced segregation and Jim Crow laws are over, racism has not disappeared but has morphed into a form of discrimination and prejudice that denies racist underpinnings, argues that issues of race are entirely cultural, and emphasizes individualism. We see it in sports with the general demonizing of black athletes coupled with a failure to recognize institutional racism in sports.
It's too bad when a nationally recognized sports columnist blatantly resorts to the sentiments of new racism because it just reinforces false stereotypes.
Jason Whitlock has done just that with his Fox Sports column this week, in which he argues that white football rosters make teams with better character and winnings. I learned of his piece from Dave Zirin, whose response should be required reading for anyone who lands on Whitlock's page.
It's too bad when a nationally recognized sports columnist blatantly resorts to the sentiments of new racism because it just reinforces false stereotypes.
Jason Whitlock has done just that with his Fox Sports column this week, in which he argues that white football rosters make teams with better character and winnings. I learned of his piece from Dave Zirin, whose response should be required reading for anyone who lands on Whitlock's page.
Thursday, May 10, 2007
The dynamics of race, sports and journalism
ESPN's Gene Wojciechowski covered Morehouse College's Black Athlete Forum, an event this week to kick off the college's new sports journalism program. The forum brought journalists and athletes together to talk about the disparities in minority representation in sports departments and about the oftentimes-negative coverage of Black athletes. Although the most publicized moments of the evening came in a charged exchange between Rutgers coach C. Vivian Stringer and journalist Jason Whitlock, I hope the lasting impact from this forum is in igniting interest in sports journalism among the students who attended. A greater presence of dedicated, well-trained minority journalists will benefit sports coverage immensely.
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